Each glyph across the super family is ‘connected at the hip’ with each style-each character carries the no frills, simple architecture that endeared so many users to it. Just putting a new designation and tweaking a few glyphs here and there would not do the designer or the typeface justice instead, I chose to redraw each glyph’s skeleton from scratch for the four main subsets of the super family along with their italics. Years went by before I was willing to pick it up again and invest the proper time into building a viable and useful recut. When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility.
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